Thinking activity on John keats

Hello Friends!!

Today i am written one blog on as a part of thinking activity on Romantic Literature paper in John Keats and his work. This activity given by Dr. Heenaba Zala.

The fact that people have been proclaiming it's passing for centuries only makes the sense of its ending more acute. Philosophers and non philosophers stand on a level of equality with respect to death. There are no experts on death, for there is nothing to know about it. Not even those who study the death process have an edge on the rest of us. We are all equals in thinking about death and we all begin and end thinking about it from a position of ignorance.

Philosophers and non-philosophers stand on a level of equality with respect to death. There are no experts on death, for there is nothing to know about it. Not even those who study the death process have an edge on the rest of us. We are all equals in thinking about death, and we all begin and end thinking about it from a position of ignorance.

Concept of death:

Death and its concept are absolutely empty. No picture comes to mind. The concept of death has a use for the living, while death itself has no use for anything. All we can say about death is that it is either real or it is not real. If it is real, then the end of one's life is a simple termination. If it is not real, then the end of one's embodied life is not true death, but a portal to another life.

Having no content, we must speak of death metaphorically. For those who think death is real, death is a blank wall. For those who think it is not real, death is a door to another life. Whether we think of death as a wall or a door, we cannot avoid using one metaphor or another. We often say that a person who dies is relieved of suffering. However, if death is real, then it is metaphorical even to say that the dead do not suffer, as though something of them remains not to suffer. As there are already many speculations about some sort of 'next life,' I will focus on the view that death is real and marks the final end of an individual's life.

Let us explore the metaphor that death is a wall a bit further. Each of us is born facing this wall. From that moment on, every step we take is towards it, no matter which way we turn. There is simply no other direction to take. Like a fun house mirror, the wall of death show us our living fears and distorted images of ourselves. All we see when we look at death is a reflection of our own lives.

Death has no subjective meaning at all. It will come to other people, but never to me. Of course, I know that I am going to die. Death means the end of my future. However, as long as I am alive, I will be living toward that future possibility of no longer having possibilities.

The unavoidable conclusion is that, if death is real, neither I nor you will ever personally taste death. I will cease to be conscious before the end. No matter how close I come to it, death recedes before me. I am actually dead only for others. When the end actually arrives, my dead body passes into the hands of the coroner. I will no longer be there. Death is always described from the perspective of the living. As Ludwig Wittgenstein famously put it, “Death is not an experience in life.”

The concept of death is unlike most other concepts. Usually we have an object and the concept of that object. For example, we have a horse and the concept of a horse. However, the concept of death is absolutely without any object whatsoever. Thinking about the prospect of one's own death is a constant meditation upon our own ignorance. There is no method for getting to know death better, because death cannot be known at all.

One trouble with discussing this topic is the instinctive fear of death. We tend to avoid death in our thoughts and actions. However, if we could forget our fears for a minute, we could see more clearly how interesting the concept actually is from a more detached point of view.

Birth and death are the bookends of our lives. Living towards death in time gives one's life a direction and framework within which to understand the changes that life brings. The world looks very differently to the young and the old. The young look forward. The old look back. What matters to us changes as we get older. The prospect of death informs these changes. The young have an intellectual understanding that death comes to us all, but their mortality has not become real to them. For the old, mortality starts to sink in.

For a long time, I have been puzzled by two famous philosophical ideas about death, one from Plato and one from Spinoza. The first is that a philosopher has a vital concern with death and constantly meditates upon it. The second is that the wise person thinks of nothing so little as death. Perhaps the truth is somewhere in the middle. Ignoring death leaves us with a false sense of life's permanence and perhaps encourages us to lose ourselves in the minutiae of daily of life. Obsessive rumination on death, on the other hand, can lead us away from life. Honestly coming to terms with one's death involves reflection on its significance in one's life, and thinking about the larger values that give life its meaning. In the end, it is useful to think about death only to the point that it frees us to live fully immersed in the life we have yet to live.

Ode to a Nightingale:

Keats is in a state of uncomfortable drowsiness. Envy of the imagined happiness of the nightingale is not responsible for his condition; rather, it is a reaction to the happiness he has experienced through sharing in the happiness of the nightingale. The bird's happiness is conveyed in its singing.

Keats longs for a draught of wine which would take him out of himself and allow him to join his existence with that of the bird. The wine would put him in a state in which he would no longer be himself, aware that life is full of pain, that the young die, the old suffer, and that just to think about life brings sorrow and despair. But wine is not needed to enable him to escape. His imagination will serve just as well. As soon as he realizes this, he is, in spirit, lifted up above the trees and can see the moon and the stars even though where he is physically there is only a glimmering of light. He cannot see what flowers are growing around him, but from their odor and from his knowledge of what flowers should be in bloom at the time he can guess.

In the darkness he listens to the nightingale. Now, he feels, it would be a rich experience to die, "to cease upon the midnight with no pain" while the bird would continue to sing ecstatically. Many a time, he confesses, he has been "half in love with easeful Death." The nightingale is free from the human fate of having to die. The song of the nightingale that he is listening to was heard in ancient times by emperor and peasant. Perhaps even Ruth (whose story is told in the Old Testament) heard it.

"Forlorn," the last word of the preceding stanza, brings Keats in the concluding stanza back to consciousness of what he is and where he is. He cannot escape even with the help of the imagination. The singing of the bird grows fainter and dies away. The experience he has had seems so strange and confusing that he is not sure whether it was a vision or a daydream. He is even uncertain whether he is asleep or awake.

So we can see that Keats gave theory of Negative capability. In this theory based on death. Really death is a Beauty in Reflection of pain and Eliation of Mysteries.

Thank you.....