Indian politics: professor Vinod Joshi's expert lectures

Hello readers!!

Here I am discussed in my blog Indian poetics. Dr. Dilip Barad sir was organized six days expert lectures regarding on Indian poetics with Vinod joshi. So i am describe  in detail what is Indian politics. 

1st Day:

On the first day Vinod joshi sir discuss about the basic information about the Indian poetics. 1st day sir was discussed on "Rasa school" in detail. First of all, sir was discuss about Indian poetics and western culture.

Here 1st day we learn what is criticism? We can say that imagination is a good example in criticism. We can find that new and different in our mind. When we all are think about something new and interactive. So we all are to get new knowledge. First of all we all are seen something new in this world so connecting some kind of understanding. We can easily find that good and protective understand. first is important of sense (ધાણેન્દ્રીય) so sir was discussed about consciousness is like or dislike in this world. 

Sir was one example of one tree growing of leave but poet is use of this leave and create a smell this is meaning of poetry in literary criticism. 

Meaning of Indian poetics.

"કૃતિ અને કર્તા, સર્જક અને સર્જન સમજનારુ શાસ્ત્ર" એટલે poetics.

So, external tools can help you to understand. Depth is present but easy way through understands is a indian poetics. In an indian poetics famous poet is કુંતક, વામન, રાજશેખર, જગન્નાથ etc. But western criticism start with Plato's objection of criticism. We can say that literary criticism is a literary philosophy. So first of all Bharat Muni was first doing Literary connotations. He gave five Rasa sampraday.

(1)આનંદ — ધ્વનિ સંપ્રદાય

 (2)કુંતી —વક્રોક્તિ સંપ્રદાય

 (3)વામન —રિતિ સંપ્રદાય

 (4)ભામહ —અલંકાર સંપ્રદાય 

(5)શૈમેન્દ્ —ઔચિત્ય સંપ્રદાય

So here I gave five સંપ્રદાય. And important thing is a school of Rasa. Sir was discuss about some kind of information. We can see that components of western culture and Indian culture. Western criticism in main important thing is work, influence and effectiveness. And Indian criticism in main important of process and how to create that process. That is a difference between indian and western criticism. Indian criticism press on results of process and achieved of destination after that process was finished. Here sir was talked about arrived language. So language is a Natural this is an instinct senses. We can feel that in various feelings of experience. So here we can understand Literature through feel to the spontaneous feeling of experience that is a language. Sir was says that "રસ નિષ્પત્તિ" important of begging. We can enter curiocity after that feel all Rasa and some kind of Mortal influence. We can feel that panorama of Natural and language was not internal but external. Indian poetics doing some kind of spread our meaning not a conway of language. We all are spread our thoughts of meaning not language. So, here all spread of language through meaning and after that spread our feelings and emotions. So sir was says that experience world is a feeling world (ભાવ વિશ્વ). It is an ultimate for analysis of our thoughts feelings and experiences is a main important things in રસ સંપ્રદાય. Sir was also talked about like ભાવ સૃષ્ટિ. So what is a રસ સંપ્રદાય.

# રસ સંપ્રદાય: 

ભરતમૂની આ વાત તેના નાટકના સંદર્ભે નાટ્યરસ તરીકે રજૂ કરે છે. 

He says that,

काव्येशु नाटकम् रम्यम्।

Bharat Muni gave some kind of about Rasa school.

विभावानुभावव्यभिचारी संयोगात् रसनिष्पति:।

(1)નિભાવ

(2)અનુભાવ

(3)વ્યભિચારી ભાવ (સંચારી ભાવ)

(4)સંયોગ 

#વિભાવ:

જેને આધારે જ રસ નિષ્પન્ન થાય તે. વિભાવના બે પ્રકાર છે.

★આલંબન વિભાવ: include in characters

★ઉદ્દીપન વિભાવ: include in natural atmosphere.

#અનુભાવ:

પ્રતિક્રિયા and reaction

#વ્યભિચારી ભાવ (સંચારી ભાવ):

Constantly and suddenly change of emotions this change of every time.

#સંયોગ: 

નિભાવ અનુભાવ વ્યભિચારી ભાવ (સંચારી ભાવ) આ ત્રણેયનું સંયોજન થાય ત્યારે રસનિષ્પન્ન થાય. સાહિત્યની મજા જ સંયોગથી થાય છે. તેના વિહોણી કોઈ પણ વાત નકામી છે.

Example of.,

દુધમાં સાકર નાખવાથી તે મળી જાય છે.

★ સ્થાયી ભાવ:

रतिः>शृंगार

शोकः>करूणा

उत्साहः>वीर

क्रोधः>रौद्र

हासः>हास्य

भयः>भयानक

जुगुप्सा>बिभत्स

विस्मयः>अद्भूत

शम/निर्वेदः>शांत

Incomparable of Rasa so this is a valuable of Indian poetics.

† ભરતમૂનીના આ મતને લઈ ચાર પુર્તિકારો કે અલંકારીકો પણ પોતાનો મત અહીં રજૂ કરે છે.

ભટ્ટ લોલ્લટ : उत्पतिवाद

શ્રી શંકુક : अनुमितिवाद

ભટ્ટ નાયક : मुक्तिवादी

અભિનવ ગુપ્ત : अभिव्यक्तिवाद

श्रृंगारकरूणवीररौद्रहास्यभयानका।

बीभत्साद्भूतशांतश्चनवनाट्येरसास्मृता।।

                   - भरतः नाट्यशास्त्र

That is a make believable process.

(1)ભટ્ટ લોલ્લટ : theory of उत्पतिवाद

He believes that not seen that is Drama of Rasa. It is not interested but has to be produced own self. That is a first experience of (નટ અને નટી) means actor and actress. Sir was give one example of દુષ્યંત character.

He was says that દુષ્યંતનું પાત્ર perfomed કરનારા રમેશભાઈ. He washed of munci corporation and he was looking kinds of application after that he was coming that thought in theatre that is no good so here રમેશભાઈની રસની અનુભુતિ જ કેમ થશે? First of all fall into Rasa Schools and after that here જો કલાકાર જ રસ નિષ્પન્ન ન કરી શકે અને તેમાં નિષ્ફળ નિવડે તો સામેના Audience and રસનો અનુભવ કરનારાને રસની પ્રતિતી ન થઈ શકે. When we are feel that kinds of "Rasa" that is a good so sir was gave one example like, 

सर्वपदम् हस्तिपदे निमन्त्रम् ।

(2)શ્રી શંકુક : अनुमितिवाद

When we are doing kind of four conviction at that time feel of that emotions. In below શ્રી શંકુક say that four conviction. 

1.યથાર્થ (સમ્યક પ્રતિતી) 

2.મિથ્યા

3.સંશય

4.સાદ્રશ્ય

(3) ભટ્ટ નાયક : मुक्तिवादी

ભટ્ટ નાયક doing some kinds of catharsis on Nine "Rasa" in western criticism best catharsis person is  Aristotle. But he was doing on two "Rasa" pity and fear but ભટ્ટ નાયક ના catharsis માં નટૃ અને પ્રેક્ષક બંનેનો ભાવ વ્યક્ત થયેએલ હોય છે. Sir was talked about one example of one lady મૃદાલી. This is a best example ભટ્ટ નાયક doing transformation 'Rasa'.

(4) અભિનવ ગુપ્ત : अभिव्यक्तिवाद

He was feel to the "રસાનુભાવ" He was gave theory of अभिव्यक्तिवाद. He was write about that, 

प्रकाशानन्दमय: ज्ञानम् विश्रांति।

We all are leaves our attitude then feel to the feelings and conviction of our life. We can scene that court scene in movie. Situation is different and prove to the details of some cases. ભાવ અને વિચાર is different but we are not find that what is a truth. First of all meaning is important for understanding of 'Rasa' second one interpretation mean we all are understand some of differents understanding and third and last on important of scene. Sir give one example of like, પાસ પાસે તો પણ કેટલા યોજનો દૂર…..